Caught the last day of the exhibit of Jeanne Silverthorne's work alongside works from the permanent collection. Very unusual comparisons of still life paintings with her rubber sculptures--intended to be meditations on the brevity of life--according to the brochure. I thought "Candelabra," pictured here, showing the beginning genetic sequences for many bad feelings, was the most intriguing piece.
1 comment:
Fascinating! Thanks for sharing these images. Just got a chance to check out your website and LOVE it! Beautiful work, Amelia. I wish I could see your paintings in real life! Big hug!
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